Swiss Straw Work – Making a Spreuer Flower – Sign Up

with Josephine Willis

£40 /

Access indefinitely.

Discounts available for BMA members.

Tutorial date:
20/04/2023

Start time BST:
7pm

End time BST:
9pm

Foundation Millinery Skills Needed for this Tutorial

None, this tutorial is suitable for all.

You may sign up to this tutorial at any time, however after the 21st May you will be purchasing a recording only. Within 48 hours a recording of the live tutorial will be sent to all who purchased a ticket; you will have access to the recording indefinitely.

All sales are final. The British Millinery Association CIC does not offer refunds or any money-back guarantees. Tutorials are offered in English only.

Tutorial Details

In this workshop you will learn how to make a basic Swiss Straw Spreuer (Chaff in English) motif.

Spreuers are one of the simplest motifs to make and are very versatile – grouped together in 3’s or 5’s they make a lovely flower; one flower on its own is a pretty hat decoration but combining flowers together can create a striking floral headdress.

A very brief history of Swiss Straw Work. In the 18th century, in the Canton of Aargau, Switzerland, straw work was developed to help raise the living standards of farmers and their families during the hard winter months. The cottage industry had moved to factories by the early 19th century, which supplied straw plait and straw work across Europe and beyond. Borrowing techniques from lace making, crochet, passementerie and macramé, the work created was applied not only to millinery but to clothing and even shoes! Sadly, by the early 20th century, cheaper imported braid from China along with the slow decline in hat wearing and a changing taste, the large scale industry had died.

Rumplestiltskin himself could not have imagined how this humble material could be transformed into such exquisite and delicate art.

The workshop will integrate pre-recorded demonstrations with live commentary and Jo will use natural straw – not dyed.

About the Instructor

Jo was first introduced to millinery while studying Theatre Costume at London College of Fashion. From 1995 to 2002 she was the milliner at internationally renowned costumiers Cosprop where she worked in collaboration with many designers on productions including ‘Titanic’, ‘Sense and Sensibility’, ‘A Portrait of a Lady’ and for television, Jane Austen’s ‘Emma’, working with Jenny Beavan.

For the past 20 years she has been freelance, working from home in Bath, South West England on productions including The Harry Potter Films, ‘Tulip Fever’, ‘The Electrical Life of Louis Wain’ and most recently, making bonnets for Frances O’Connor’s ‘Emily’.

Until last summer, Jo divided her time between millinery and working as a 1:1 special needs teaching assistant in a local junior school.

She enjoys working in many styles and materials but straw is a favourite. When time permits she tries to learn how to plait and weave straw herself. The beauty of straw was partly what inspired her piece, Hedgerow Headdress which was runner-up in the 2022 HATalk e-magazine Competition.

Materials & Tools

Wheat or rye straw – a few pieces
Recommended: Something Corny and Simply Straw

Straw splitter or a craft knife – Jo uses a #4 splitter. This creates straw splints out of which the motifs are made.
Recommended: 4 Splint Splitter at Something Corny or Knorr Prandell straw splitter on Amazon

Hindenburg tool or blunt knife to smooth the straw.
Recommended: Hindenberg Splitter & Smoother at Something Corny

Assortment of wide-tooth dog grooming combs such as those shown in the photos at right.

Additional recommendations:

In America, The National Association of Wheat Weavers recommends suppliers on their Resource and Links pages.

If you are interested in Swiss Straw Work, Jo highly recommends Veronica Main’s book ‘Swiss Straw Work – Techniques of a Fashion Industry’ available at Something Corny.

OTHER MATERIALS & TOOLS

Small container for water to soften the splint

Flat surface – cutting board is ideal or thick, flat card for smoothing the splint

Fine wire eg. beading or fuse wire.

Fine millinery wire.

Little scissors with a sharp point are useful

Thread

Glue eg. UHU

Embroidery thread of your choice to bind the stalks

Big eyed blunt needle

Tweezers can be useful

small wooden bead

Local Dates & Times

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